Jaa Simran Jaa, Jee Ley Apni Zindagi

Jaa Simran Jaa, Jee Ley Apni Zindagi

Praf, short for Praful Patel, is a 30 year old divorcee, living in Atlanta, US, only child of Gujarati parents who have owned a general store all their lives. She’s holding down a job as a housekeeping staff in a hotel. She not only has a past but a post-past as well – her ex-boyfriend happens to be her boss at the hotel.

Praf wants to make money, create financial security for herself, a craft almost perfected by Gujjus in general, but Praf is different – her aims are the same but her means are not. Self-control is not her thing. This Gujju gal has the balls – or shall we say vagina – to take risks. Okay, playing Baccarat (without knowing anything about the game) just to pursue a guy you’ve spotted inside a Las Vegas casino cannot be called guts. But then, the Gujju gal doesn’t even have the $25 she needs to enter the game at the table. Our lady does a James Bond, like it or not. She also gets the guy.

That’s where all the trouble begins. The addiction to gambling, losing money, trouble. Wanting to win it all back but no money to stake. Trouble. Using up all her savings just to play a few more hands, no luck. Trouble. Losing all money, landing in the hands of a loan shark, Trouble. That’s what Praf is. She doesn’t hedge her bets, doesn’t listen to her parents, doesn’t settle down with a boy to make sev-tameta nu shaak for the rest of her life, no wisdom coming with age. Instead, she goes on to single-handedly rob a few banks to earn the nickname Lipstick Bandit.

The character of Praful Patel is inspired by the story of the ‘Bombshell bandit’, Sandeep Kaur, who went on a 5-week long bank robbing spree because she was pushed to the brink to pay off loan sharks she had used to fuel her gambling addiction. One has to say, the story is interesting. Has it been executed well? Yes, mostly.

Kangana is the queen of nuance. She’s as usual, great. The performances are good. The story has its dense details – a close-knit but unhappy family. A difficult, tension-filled father-daughter relationship. Sweet moments with the boy Praf’s parents are trying to set her up. All good. But the film lacks the aha moment – when you experience the character so strongly you identify with her emotions. ‘English Vinglish‘ was full of such moments, so was ‘Queen’, to name a few. They had a very strong screenplay. Also, Simran felt a tad bit longer than it absolutely needed to be.

Now for the ham scenes: Luckily in the case of Simran, all the ham scenes happened outside of  and after the movie. I say luckily because otherwise, the film would have been that much longer and would have had to somehow feature Barkha Dutt and Rajat Sharma. That was me popping the lighter vein. One thing though: In terms of matter and gravity, I daresay the ham scenes overshadowed the movie itself. Kangana is an unbelievably strong contender for the solid ‘hero’ crown and she doesn’t even need to earn it. She has proved she has a vagina, and her films are the least of it. And as far as item numbers go, why can’t they be more like the AIB video/song?

In that sense, I’m rooting for every Praf, Tanu, Datto, and Rani that Kangana plays.

Now for a miss: There was much talk of Kangana adding this ‘sexual’ ‘edge’ to her character. That Praf actually likes sex. I would have thought that puts her in the ‘human’ category but in the Indian film industry and the larger Indian society, this is what makes news. You can probably hear a dilliwali aunty (no offence meant to Dilli, Dilliwalas, and aunties – it’s the combination here) scoffing a “Haw!! This girl likes sex!”

If you’re going to the hall thinking you’ll see some exciting moment there, say hello to disappointment. It’s a bit scene where Praf likes a guy, pursues him quite decently, I’d say ladylike manner but that would run afoul of the definition of ladylike. Ladylike and sex don’t mix. To be a lady, step 1: you shun your human nature for the divine. Anyway, Praf takes the guy to bed. No great shakes there, as you will find out. But, this ‘controversy’ is also why Simran is larger than life as a movie. It has set a lot of people talking. And some people squirming after being kneed in the nuts.

That this sort of thing is one of the firsts in the industry is probably why I’d give kudos to Simran. Thank you Praf, for being there. And thank you Simran, for being there.



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